Unit 24

Mood and Atmosphere 

Mood and Atmosphere is to make the audience show their emotions. This also helps us create tension in the film. Mood is referred to as the atmosphere as it make an emotional feeling around the characters that are in the film or book. Mood can be shown in the setting, theme and tone. This will help the director get the audience attached to a character or a couple. 



Audio fade


Audio fade is an increase or decrease in the level of the audio playing. it can make it more dramatic or intense. It can also mean the same in lighting. example: https://youtu.be/287oH1PILWQ

Dialogue 


Dialogue is a convocation between two or more people. It help set the mood and atmosphere. It also helps us understand whats happening in the film, TV show or advert. This is a video explaining dialogue: https://youtu.be/WpK5dXw0WzI
This is another example of dialogue from the movie To all the boys I've loved before: https://youtu.be/W8jQVlJDgK0
Voice over 

A voice over is sometimes used to narrate in a film or a broadcast. It is also used documentaries when they are maybe taking about an animal, in the news when a video is playing the news presenter talks over it to explain.  This happens a lot in advert and documentaries especially with David Attenborough   https://youtu.be/UY3S3tO7frM


Ambient sound 


Ambient sound is the background sound. This is presented in a scene or a location. This includes wind, birds, traffic, office noises and a lot more. https://youtu.be/9LfEyxl_f-U in this video it gives you examples of back ground noises you would hear in films or TV shows.


Soundbridge


Soundbridge is when a sound edit that occurs when sound carries over a film. It connects the mood and music. This photo shows us what a sound bridge would look like, as you can see there is audio and then music playing over the top.

Foley sounds 

A Foley artist is the reproduction of everyday sound effects that get added in to the film later on. They make the load walking sounds, swords being taken out of their holders. They make a lot of the sound that you hear in films now. They can make the sound of a horse running with two coconut's hitting off each other. Here is an example of someone creating Foley Sounds: https://www.youtube.com/watch?v=OONaPcZ4EAs&feature=youtu.be   

Synchronous/Asynchronous

Asynchronous is when the sound matches the action that is happening, but it's not synchronized with the action. Directors use it to create tension because the view could hear the sound and not see its source.  Synchronous is when the action matches what is happening and the sound synchronizes with it. 


Sound Motif 


Sound motifs aim to get the audience attached to a certain character to that when something happens to that character they will be overwhelmed with emotions. 


ADR 

ADR is 'Automated Dialog Replacement. This is when people re-record dialogue by the original actor after filming has happened to make the audio clearer for the audience. This is an example of ADR before and after in a scene:  https://youtu.be/KG4jtCram1c

Developers

Will O'brien-
O'brien was the inventor of 'Kong'. He would mix live action with stop motion animation, which is standard process today. 'Kong' was a very successful, it took him a very long time to make the movie. The second Kong which was 'The Son of Kong' he wasn't involved a lot in as be had a lot going on in his personal life.

Ray Harryhausen-
Ray created a form of stop motion model animation called 'Dynamation'. Dynamation is used to make the actors on film apparently like they are interacting with animated models. He also created the special effects for the star-studded Clash of the Titans' which was made in 1981, which was remade with computer effects in 2010. 

Jan Švankmajer-
Svankmajer created 'Alice', which is about a doll (which he used stop motion for) that drinks a potion and turns in to a human girl. Jan has gained an amazing reputation because of his stop motion. He has influenced a lot of people like the Brothers Quay and Terry Gilliam.

Contemporary

The Brother Quay-
Stephen and Timothy Quay are stoop motion animators. They named one of their film after the person that influenced them, Jan Svankmajer, they named the film 'The Cabinet of Jan Svankmajer'. Most of the Quay Brothers animation films feature puppets made of doll parts and other organic materials often shown in a dark moody atmosphere. one of their most known animations is the 'Street of Crocodiles'. They both prefer to work with pre recorded music. Now most if their animations are on DVD, for people to now watch them.

Tim Burton-
Burton has made a lot of famous animated film such as 'The Nightmare Before Christmas' and the 'Corpse Bride'. It took him 55 weeks to make the 'Corpse Bride'. Tim,s first ever film that he made was an animation called 'Frankenweenie' that came out in 2012. Its about a young boy called Frankenstien that is a outside, he only has one best friends his dog that dies. His teacher gives him a good idea on how to bring him back to life, Frankenstein does the experiment and its successful, people find out and try to bring back dead animals which isn't the best idea. 

 Nick Park
Nick Park is very famous for his work on Wallace and Gromit. A fire that happened in Ardman Animations' archive warehouse in 2010 resulting in us loosing most if Park's creations including thte models and sets used in the movie 'Chicken Run'. Some of the Wallace and Gromit models and sets were elsewhere. the old college that Park use to studio at named a library after him. In 2018 he made a new animation called 'Early Man' which is about a caveman who brings his tribe against the bronze ages.

Techniques

Persistence of Vision-

Persistence of Vision is when multiple discrete images blend into a single image in the human mind, people believed this to be the reason for animated films. The theory of persistence of vision was debunked in the 1900’s and two further persistence of vision theories engorged which are ‘The Phi Phenomenon’ and the ‘Beta Movement. Persistence of vision explains why black sides were not recognized by the audience.

Stop Frame-

This is animation that is captured one frame at a time, with physical objects that are moved between frames. When you play the images rapidly, it would create the illusion of movement like the Persistence of Vision. We can see it every day for example in adverts, TV shows, music videos and films but you might not realize it. When early stop frame (stop motion) first came around it was captured on a film camera, so they wouldn’t be able to see their work until it was all processed. If something was knocked or the lighting wasn’t correct they would have to start all over again. Nowadays we have special machines that allows the animator to look at the last 1-2 shots that were just taken.  

Frame Rate-

Frame rates are the frequency at which frames in a TV show, Film sequence are displayed. Moving characters are when one drawing is shown  every two frames which means only 12 drawings are shown per second. Our brains can make a moving image with only 16 frames per second. 

Frame rates are like Flip books, you have a number of different drawings/ photos when you flip through the drawing/photos on the flip book very fast it comes out as on moving image, which is basically what Frames Rates do but digitally.

Development

William Horner-

Horner invented and introduced the Zoetrope in 1834 and it was a major progress in the evolution of animation. He originally called it ‘Daedalum’ what means wheel of the devil. William only invented the device to help him teach is students since it would be used without a viewing mirror and be viewed by more than one person at a time. The invention was soon forgotten about until the late 1860’s when it was found by a two men M Bradley and William Lincoln in 1867, when Lincoln renamed the device to the Zoetrope meaning wheel of life, which is a light hearted name than the one that was given by Horner. If it wasn’t for the M Bradley and William Lincoln, then Horner device would never have been shown to the world.

Joseph Plateau-

Joseph Plateau was one of the first people to show others the illusion of a moving image. Joseph invented the 'Phenakistiscope'. This was a an early animation device that used the persistence of vision to create the illusion of motion, he invented it in 1841.
The  'Phenakistiscope' was just a spinning disc with different photos on one side attached vertically to a handle, which was spin top make the images look like one moving image.

Emile Reynaud-

Charles-Emile Reynaud invented the ‘Praxinoscope’ which involved the 'Zoetrope'. this was an animation device, invented in France in 1877. Like the zoetrope, it used a stripe of pictures which was lined around the inner surface of the cylinder, it has narrow viewing slits with an inner circle of mirrors, which reflect off the images, when spun very fast it makes one moving image, which is what people see through the slit in the device. 

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